According to the liner notes, Keepnews briefly worried about releasing a live lp with between-song gossip and an audible viewers in the history.After the achievement of the record, those idiosyncrasies became standard format for live jazz collections.Beginning with doubled horn outlines from Nat ánd Cannonball Adderley, thé melody moves into a simple, bluesy solo from Cannoball that shows off his mastery of melodic, moving lines.The track can be in a waltz tempo, but it sounds like a 44 tempo played half a beat off, offering it a unique tempo that all thrée soloists (Cannoball, Nát, and Timmons) play off wonderfully.
Since its his tune, Timmons solo hops and bounces with great confidence. Cannonballs solo is usually masterful, with nothing at all pressured in his tone or be aware choice. Nats solitary seems a tad showy, but the power of his using eventually is victorious you more than. Timmons solo is complete of gorgeous trills and correct bop character, his style of playing always appearing one action forward of the defeat. Nats single is impossibly fast, darting in ánd out of thé meter and overflowing in staccato bursts of records, punctuated by cymbal crashes from Hayes. Timmons and bássist Sam Jones share a solitary, competing for the listeners interest with fast and imaginative lines. The alternative version functions a more, brassier single from Cannonball thát, in my opinion, pales in assessment to the oné on the lp. Nats single, however, can be much better than the original, sounding even more soft and handled. The reality that the brothers and their sidemen produced their hard bop sound so effortless is definitely a testament to how experienced they really had been.
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